In what style was Justinian and attendants created?
In what style was Justinian and attendants created?
Watch this video, which discusses of a mosaic in the church of San Vitale in Ravenna. “Byzantine art” refers to art that bears the influence of the Byzantine Empire’s Christian art style.
What is the major theme of the mosaic Emperor Justinian and his attendants?
A major theme of this mosaic program is the authority of the emperor in the Christian plan of history.
What is the Justinian and his attendants?
One of the most studied mosaics of the Byzantine church of San Vitale in Ravenna , Italy is Emperor Justinian and His Attendants, sometimes called Justinian and His Courtiers, a companion piece to Empress Theodora and Her Attendants. The mosaics were completed in 547 AD, shortly before the consecration of the church.
What period is Emperor Justinian and his attendants?
Emperor Justinian and Members of His Court early 20th century (original dated 6th century)
What is Theodora and attendants?
The mosaic of Theodora and her attendants is placed on the south wall of the apse, opposite to its counterpart of Justinian. It depicts Theodora, the wife of Justinian and probably on of the most remarkable woman of the Middle Ages. Theodora was not at all an ordinary woman.
What is the style of Byzantine?
The mature Byzantine style, evolved through the stylization and standardization of late Classical forms of Early Christian art, was based on the dynamic of lines and flat areas of colour rather than form.
What are the material used in Byzantine architecture?
Byzantium employed stone (including marble), brick (of mud or clay), mortar (of varying qualities), and timber as its main building materials the use of which was determined by availability and local tradition, along with structural, economic, and aesthetic considerations.
What is the size of the Justinian mosaic?
Dimensions: 18.9 × 24.3 cm (7 7/16 × 9 9/16 in.)
What type of artwork is Theodora and attendants?
Theodora and attendants, mosaic from the south wall of the apse, San Vitale, Ravenna, Italy, c. 547. In this mosaic, Theodora is holding the cup of wine for the procession of the Eucharist. In a twin mosaic, Justinian holds the cup to disperse the bread.